And that he has yet to feel quite the same way about any live performance since. Reznor has yet to recapture the feeling he felt onstage at Woodstock '94Ģ019 marked the 25th anniversary of Nine Inch Nails' iconic mud-covered Woodstock '94 set, and when we spoke to Reznor about the performance, he noted that, even in the moment, he recognized that it was something special. But if it doesn't, we put it in the pile with the other. If something good happens, then maybe the world can hear it. And we thought, kind of playing on the newfound spirit of collaboration that scoring has forced us into, seeing what happens when we mix our DNA with some other people, with a no pressure environment," he said.
"We have a template for the next Nine Inch Nails thing we want to do." As for what that template is, he initially hesitated to spill the beans, but then quickly relented. Probably in the last half of the year," Reznor revealed during our visit. "We're talking about doing some shows next year, maybe. Nine Inch Nails plan to play shows in 2020 and record new, collaborative music For those of you who prefer your content in a more "snackable" format, here are some standout takeaways from our two hours in the NIN inner sanctum.ġ.
#SHIA LABEOUF SLIPKNOT LINKIN PARK POWERLESS TO SNUFF FULL#
For the cover story of our new issue (which hits newsstands December 31st and is available online now), we visited Trent Reznor and Atticus Ross in their West Los Angeles studio for a deep dive into their creative endeavors, from their plans with Nine Inch Nails, to their award-winning work scoring films and TV shows, to their unlikely Country Music Association Award win for Lil Nas X's "Old Town Road." The full cover story is over 6,000 words long and references musique concrète and avant-garde composer William Basinski - if that sounds awesome to you, we urge you to pick up a copy of the magazine, and stay tuned for when we post the entire story online in early January.
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